So what colors would you buy ?
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Tony Prior
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So what colors would you buy ?
we talk about many things here , that being strings, picks, amps, speakers, brands of Steels, years built, P Pull, All Pull, etc..
But I don't think we ever asked,
Whats your color choices, what would you buy, what would you NOT buy ?
Me:
Any of the following,
-Black
-some sort of wood gain brown Formica color
-dark wood stained body
-natural clear coated body
-dual colors that may match above
-sunburst
What would I not buy anymore
-Blues
-Reds
-pastel colors
kinda set in my ways these days !
What say you ?
But I don't think we ever asked,
Whats your color choices, what would you buy, what would you NOT buy ?
Me:
Any of the following,
-Black
-some sort of wood gain brown Formica color
-dark wood stained body
-natural clear coated body
-dual colors that may match above
-sunburst
What would I not buy anymore
-Blues
-Reds
-pastel colors
kinda set in my ways these days !
What say you ?
Last edited by Tony Prior on 30 Mar 2019 11:36 pm, edited 1 time in total.
Emmons L-II , Fender Telecasters, B-Benders , Eastman Mandolin ,
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
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Rick Barnhart
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Jack Hanson
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As with a motor vehicle, the color or finish on a pedal steel is close to, if not at the very bottom, of my wish list.
(Although if the funds ever dropped out of the sky to purchase a '62 Corvette, I'd want one with the cream-colored paint job. Like the ragtop that Tod & Buz had to tool around the USA on Route 66.)
I play three old Emmons PSGs from the early '70s: A rosewood 'mica D-10, a sunburst lacquer GS-10, and a bowlin' ball 'mica GS-10. All of 'em look fine to me (even that butt-ugly bowlin' ball).
(Although if the funds ever dropped out of the sky to purchase a '62 Corvette, I'd want one with the cream-colored paint job. Like the ragtop that Tod & Buz had to tool around the USA on Route 66.)
I play three old Emmons PSGs from the early '70s: A rosewood 'mica D-10, a sunburst lacquer GS-10, and a bowlin' ball 'mica GS-10. All of 'em look fine to me (even that butt-ugly bowlin' ball).
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Paul Wade
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So what colors would you buy ?
1 red stain
2 black Formica
3 walnut Formica
4 green stain
5 black stain
______________________
would not buy
pink
sea green
purple stain
sea blue
2 black Formica
3 walnut Formica
4 green stain
5 black stain
______________________
would not buy
pink
sea green
purple stain
sea blue
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Jon Light (deceased)
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After having been through the custom design thing on my first pro steel 20 years ago, I got that out of my system and I'm not too picky. I do see pictures of steels and think 'that's just ugly'.
But I was all set to order a new Williams and I needed to make some choices. They pride themselves on their woods & finishes. But I knew what I wanted. A mica color of rusted iron. Rough, oxidized, raw. I saw the pattern online, I saw the guitar in my head and I even did a mock-up in photoshop and it was definitely how I going (it took some convincing to overcome Bill Rudolph's 'are you sure??...we offer such beautiful lacquer...').
Then I received an actual chip sample and it looked like crap. Not nearly as great looking as the online sample.
So I'm going to have to settle for a gorgeous two-tone dark apron/blonde deck maple guitar. Rats.
I'm still feeling so-so about this because I'm not nearly into the pride of drop-dead gorgeous as I once was. I want a killer playing machine.
But I was all set to order a new Williams and I needed to make some choices. They pride themselves on their woods & finishes. But I knew what I wanted. A mica color of rusted iron. Rough, oxidized, raw. I saw the pattern online, I saw the guitar in my head and I even did a mock-up in photoshop and it was definitely how I going (it took some convincing to overcome Bill Rudolph's 'are you sure??...we offer such beautiful lacquer...').
Then I received an actual chip sample and it looked like crap. Not nearly as great looking as the online sample.
So I'm going to have to settle for a gorgeous two-tone dark apron/blonde deck maple guitar. Rats.
I'm still feeling so-so about this because I'm not nearly into the pride of drop-dead gorgeous as I once was. I want a killer playing machine.
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Paul Sutherland
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Bruce Bjork
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Two years ago my wife said “why don’t you just go ahead and buy a Pedal Steel Guitar” her favorite color is blue, my Justice Pro Lite is blue.
Banjo, Dobro, Guild D-40, Telecaster, Justice Pro Lite 3x5, BOSS Katana 100, Peavey Nashville 112 in a Tommy Huff cabinet, Spark, FreeLoader, Baby Bloomer, Peterson StroboPlus HD, Stage One VP.
"Use the talents you possess; the woods would be very silent indeed if no birds sang but the best"
"Use the talents you possess; the woods would be very silent indeed if no birds sang but the best"
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Jerry Overstreet
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I've only ordered one new pedal steel. I chose red mica.
The others have all been used. They were what they were. I didn't have any choice with those and I never culled a used one because of it's color. I've owned colors that I like better than others, both with finished wood and mica covered.
If I were ordering a new steel today, I would choose ebony/black lacquer body and necks with inlay all around. Probably MOP.
The others have all been used. They were what they were. I didn't have any choice with those and I never culled a used one because of it's color. I've owned colors that I like better than others, both with finished wood and mica covered.
If I were ordering a new steel today, I would choose ebony/black lacquer body and necks with inlay all around. Probably MOP.
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Erv Niehaus
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I doubt if I would ever buy a green guitar, especially a light green.
In mica, I like black, red or a wood grain.
In lacquer, it seems like any finish would do but a few years ago I bought a gospel model Rains that was custom built for a Canadian steeler and I really like it.
It features a lot of mother of pearl inlay.
The cabinet was built by Mark Giles.
Erv

In mica, I like black, red or a wood grain.
In lacquer, it seems like any finish would do but a few years ago I bought a gospel model Rains that was custom built for a Canadian steeler and I really like it.
It features a lot of mother of pearl inlay.
The cabinet was built by Mark Giles.
Erv

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Damir Besic
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Thanks,
Brother Wayne Baker
https://www.facebook.com/share/1Kg3gFeiJ1/
Show Pro D10 w9&7, Show Pro D10 w9&7, Show Pro D10 w8&5, Show Pro SD10 w4&5
Brother Wayne Baker
https://www.facebook.com/share/1Kg3gFeiJ1/
Show Pro D10 w9&7, Show Pro D10 w9&7, Show Pro D10 w8&5, Show Pro SD10 w4&5
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Larry Petree
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Always black
Always black mica for me. In fact, I am looking for a very clean black D-10 LeGrande III.
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Douglas Schuch
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Personally, I strongly dislike 95% of the fake wood laminate steels I see. I wouldn't put plastic wood formica in my house either! Black (color of my current guitar) is ok. It does not jump out at you. It's sort of a "no nonsense" color. Red is always pretty (but I usually do not like red lacquer that shows the grain?). I had a Burgundy Millie that I thought was beautiful - but finances required me to sell her.
Two-tones are usually stunning, I think. I refinished an old round-front Bud with clear top (but prevalent grain due to bleaching out the old brown) and reddish-brown aprons and necks. That was the prettiest I've owned.
Having said all of that, I think there are many surface ideas yet explored. Mickey's drum wrap Mullen was pretty, and unique. I remember a Thomas (I think?) for sale here with a Stainless wrap. Doug Earnest's new hammered metal finishes on the Stage Ones looks interesting.
Perhaps a more interesting question would be "What finish has yet to be tried, but should be on a pedal steel?"
Here's three guitars that have been listed on Reverb to inspire folks! I like the last one.



Two-tones are usually stunning, I think. I refinished an old round-front Bud with clear top (but prevalent grain due to bleaching out the old brown) and reddish-brown aprons and necks. That was the prettiest I've owned.
Having said all of that, I think there are many surface ideas yet explored. Mickey's drum wrap Mullen was pretty, and unique. I remember a Thomas (I think?) for sale here with a Stainless wrap. Doug Earnest's new hammered metal finishes on the Stage Ones looks interesting.
Perhaps a more interesting question would be "What finish has yet to be tried, but should be on a pedal steel?"
Here's three guitars that have been listed on Reverb to inspire folks! I like the last one.



Bringing steel guitar to the bukid of Negros Oriental!
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Bill Miller
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In Mica guitars I like black best. Black goes so well with sparkling chrome hardware. Dark blue and some reds aren't bad. I'm not big on fake wood grain but there a few that don't offend me. But the some of the lacquer guitars, especially the Show Pros are enough to make a grown man cry. They must be a worry though, being so fragile.
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Bobby Nelson
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Ian Rae
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I have a beautiful lacquered Williams and a space-age black Excel. Don't care for much in between. I particularly don't like imitation wood-grain mica, although I know a lot of revered guitars have it.
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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Roger Rettig
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I've never cared for sunburst finishes on steels. It works on 6-string guitars because the shading follows the curves of the body but steels are angular and square - sunburst shading seems to me to be at odds with the instrument's lines.
Black for me - it accentuates the shiny hardware and looks quietly efficient somehow.
I do have a soft spot for Fender's custom colours - I wish they used them more often on their steels. Teles, Strats, Jags and Jazzmasters look terrific in lake Placid Blue or Sea Foam Green.
I can't stand fake wood-grain finishes on anything! I once had an Emmons like that (I got it in a trade deal) and I couldn't wait to get rid of it. It's about as tasteful as that wood-pattern kitchen wallpaper you sometimes encounter; not for me.
The first Emmons I ordered new was Sapphire Blue. It's my favourite colour for life's incidentals but it wasn't long before I found myself wishing I'd ordered a plain black guitar. The next Emmons I bought was.
Black for me - it accentuates the shiny hardware and looks quietly efficient somehow.
I do have a soft spot for Fender's custom colours - I wish they used them more often on their steels. Teles, Strats, Jags and Jazzmasters look terrific in lake Placid Blue or Sea Foam Green.
I can't stand fake wood-grain finishes on anything! I once had an Emmons like that (I got it in a trade deal) and I couldn't wait to get rid of it. It's about as tasteful as that wood-pattern kitchen wallpaper you sometimes encounter; not for me.
The first Emmons I ordered new was Sapphire Blue. It's my favourite colour for life's incidentals but it wasn't long before I found myself wishing I'd ordered a plain black guitar. The next Emmons I bought was.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Ian Rae
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richard burton
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Roger Rettig
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Didn't Jeff Newman apply some sort of wrap to his guitars? I saw him with some outlandish colours but, unlike wood-grain mica or a tattoo, a curious 'choice' can be consigned to history in a flash.
I do also have a soft spot for Emmons' Teal Green 'mica - my wife, however, declares that such colours are appropriate for a 1950s bathroom and little else.
I do also have a soft spot for Emmons' Teal Green 'mica - my wife, however, declares that such colours are appropriate for a 1950s bathroom and little else.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Jack Hanson
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