Reece Anderson's Influence
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Sonny Jenkins
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Reece Anderson's Influence
Something recently came up in our PFM Group discussion that started me wondering how many players were taught by Reece,,,talking about an extensive part of the learning journey. I know a lot of players, like myself, took a few lessons,,,but I'm thinking about those who feel they were really guided by Reece,,,people like David Wright, Junior Knight, the late (and great) Gary Hogue etc. Of course Tom Morrell was closely associated with him. How about Mitchell Smithey and Milo Deering,,,were they helped by Reece? How about others??? Just curious??
I'm very honored to have called Reece a friend,,,wish I had taken more advantage of some opportunities he sooo generously offered. He was so sencere in really wanting to promote the instrument. I miss Reece!!!
I'm very honored to have called Reece a friend,,,wish I had taken more advantage of some opportunities he sooo generously offered. He was so sencere in really wanting to promote the instrument. I miss Reece!!!
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Christopher Woitach
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Although I’m nowhere in the league of the players you mentioned, Reece was my teacher and friend, and at his suggestion I adopted his most recent Bb6!S12 setup on the Studio Pro I bought from MSA.
As a player with a very directed goal, playing jazz on the pedal steel in much the same way as I have for many years on underarm guitar, Maurice was far and away the perfect teacher and mentor for me.
I wish his brilliant Steel Camp projects had lasted longer - I know many people got a lot out of those, not to mention the zillions of people he taught privately.
The most beautiful player I ever heard up close, and as a long time jazz player and educator, I can tell he was very very deep in his harmonic knowledge.
An amazing person I miss every day....
As a player with a very directed goal, playing jazz on the pedal steel in much the same way as I have for many years on underarm guitar, Maurice was far and away the perfect teacher and mentor for me.
I wish his brilliant Steel Camp projects had lasted longer - I know many people got a lot out of those, not to mention the zillions of people he taught privately.
The most beautiful player I ever heard up close, and as a long time jazz player and educator, I can tell he was very very deep in his harmonic knowledge.
An amazing person I miss every day....
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David Wright
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Don Kuhn
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David you must have learned a lot from him as you are one heck of a steel player. You won't remember me but I met you several years ago at Charlie Norris store when the TSGA was palying there on Sunday's. I saw and talked with you there when Mooney was playing and a few times after that.The last 7-8 yrs as the Dallas show. Always enjoy watching you and Jr. play. Thanks for the great shows you put on.
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Matthew Walton
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I didn't start playing early enough to have the benefit of a decades-long mentorship with Reece, but he's the very first guy I took steel lessons from. Come to think of it, I guess it was only for three years, but he sure left an impact on me.
I was on a D-10 for a bit then moved to a 12-string SuperSlide at the time. I wish I had started out on his Bb universal (which I'm just now trying to get going with thanks to David), but I couldn't have asked for a better foundation and he was the nicest guy and super helpful any time I talked to him.
I was on a D-10 for a bit then moved to a 12-string SuperSlide at the time. I wish I had started out on his Bb universal (which I'm just now trying to get going with thanks to David), but I couldn't have asked for a better foundation and he was the nicest guy and super helpful any time I talked to him.
If something I wrote can be interpreted two ways, and one of the ways makes you sad or angry, I meant the other one.
1981 MSA "The Universal" Bb6 S-12 9/5 | 2024 Excel Robostar Bb6 S-12 8/5 | 2009 MSA SuperSlide C6 S-12 | Peavey Nashville 112
1981 MSA "The Universal" Bb6 S-12 9/5 | 2024 Excel Robostar Bb6 S-12 8/5 | 2009 MSA SuperSlide C6 S-12 | Peavey Nashville 112
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Sonny Jenkins
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