Saving Country Music
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Tim Sheinman
- Posts: 104
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- Location: Brighton, UK
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Saving Country Music
Dear All,
I am worried that, as a 'Young Steel Player', I am meant to be Saving Country Music, but I don't know where to start...
Should I be making shaky bedroom videos on my phone, playing along to backing tracks until Universal Music comes along?
I really want to avoid wearing a costume if at all possible.
Jonathan Lam, Spencer Cullum, Mr Van Horn, you seem like a cool guys, can you help me?
Tim
I am worried that, as a 'Young Steel Player', I am meant to be Saving Country Music, but I don't know where to start...
Should I be making shaky bedroom videos on my phone, playing along to backing tracks until Universal Music comes along?
I really want to avoid wearing a costume if at all possible.
Jonathan Lam, Spencer Cullum, Mr Van Horn, you seem like a cool guys, can you help me?
Tim
Last edited by Tim Sheinman on 31 Dec 2018 8:25 am, edited 2 times in total.
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Richard Sinkler
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It's cool that you want to "save" country music. As a steel guitar player (of any age), it's very unlikely that you will be able to do it. That is the job of the artists, songwriters, and producers. After all, they are the one's who killed it.
I do realize that this post was probably tongue-in-cheek, but a good topic none-the-less.
I do realize that this post was probably tongue-in-cheek, but a good topic none-the-less.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Dustin Kleingartner
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Real country music is alive and well, it's just not on mainstream radio. There's lots of good acts out there putting in the work. I can appreciate the sentiment, but it's not going back to what it was in years past. The good stuff's out there, it's just changed platforms and venues.
Proud parent of a good dog.
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Tim Sheinman
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- Location: Brighton, UK
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Tim Sheinman
- Posts: 104
- Joined: 2 Mar 2014 12:20 pm
- Location: Brighton, UK
- State/Province: -
- Country: United States
This is the second, you can probably see where things are going...
https://soundcloud.com/tim-sheinman/together-again-two
https://soundcloud.com/tim-sheinman/together-again-two
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Tim Sheinman
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Dustin Kleingartner
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Tim Sheinman
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Dick Wood
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Richard Sinkler
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I agree with Dick about the steel being too buried in the mix. But, that was really nice playing. Good job. There just might be hope for REAL country music yet.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Spencer Cullum
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- Location: Nashville, Tennessee, USA
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Hey Tim, I’m prob the last person you want advice from but here’s my two cents
I noticed you live in London, I used to live in whitechapel and have to lug my ZB SD11 all around London on the tube...but played as much as possible and searched around for singer/songwriters I thought were original and asked to play with them
Upstairs at Ronnie Scott’s, The Lexington, notting hill arts club...then carry it upstairs to my flat, half drunk up to two flights of stairs most nights for very little pay
My back still aches years later but it made me better and got my name out.
I wouldn’t say you need to save country music, just find people you like playing with
There’s a great little community in London that I dig at the mo. Chris Hillman, Joe Harvey Wyhte and Harry Bohay. Might be worth picking there brain about the laaaaaandon scene
Good luck
PS as for Jonny Lam and Will Van Horn ...I wouldn’t ask them for advice as they are more or less “shaving country music” to a disgraceful exsistence
I noticed you live in London, I used to live in whitechapel and have to lug my ZB SD11 all around London on the tube...but played as much as possible and searched around for singer/songwriters I thought were original and asked to play with them
Upstairs at Ronnie Scott’s, The Lexington, notting hill arts club...then carry it upstairs to my flat, half drunk up to two flights of stairs most nights for very little pay
My back still aches years later but it made me better and got my name out.
I wouldn’t say you need to save country music, just find people you like playing with
There’s a great little community in London that I dig at the mo. Chris Hillman, Joe Harvey Wyhte and Harry Bohay. Might be worth picking there brain about the laaaaaandon scene
Good luck
PS as for Jonny Lam and Will Van Horn ...I wouldn’t ask them for advice as they are more or less “shaving country music” to a disgraceful exsistence
Last edited by Spencer Cullum on 3 Jan 2019 5:24 am, edited 1 time in total.
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Jim Sliff
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Another line of thinking:
As a "young steel player" I don't see where there's any mandate to "save country music" (which is pretty darned hard to define as a "style" today anyway.).
Why not work towards "saving the instrument"? Play other styles - virtually any that include "guitarish" parts - and adapt?
Pedal steel is a musical instrument - not a "style".
Just another angle to think about, especially with the radical changes/overlaps in musical styles.
It seems to me there are far more opportunities to expand playing horizons using the instrument than there are (no offense meant to anyone here) by having to "force-feed" the instrument into a musical style that rarely exists in its previous form.
As a "young steel player" I don't see where there's any mandate to "save country music" (which is pretty darned hard to define as a "style" today anyway.).
Why not work towards "saving the instrument"? Play other styles - virtually any that include "guitarish" parts - and adapt?
Pedal steel is a musical instrument - not a "style".
Just another angle to think about, especially with the radical changes/overlaps in musical styles.
It seems to me there are far more opportunities to expand playing horizons using the instrument than there are (no offense meant to anyone here) by having to "force-feed" the instrument into a musical style that rarely exists in its previous form.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Donny Hinson
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Tim, no one can stop time or fate, or change things for very long. The world rolls along at it's own pace, and in it's own direction. Even influences to music as profound and significant as The Beatles or Elvis have largely faded and disappeared, good evidence there's not much anybody can do to keep things from changing in the world of music. I think that the best course of action (as long as you're not depending on your playing as a main source of income) is just to play whatever it is that you want to play, and to try and find some like-minded people to share that desire with.
my2cents anyway
my2cents anyway
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Tim Sheinman
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Thanks everybody for the help.
Spencer, you are absolutely right, I do need to make my mark on the London scene.
To do this, I have recorded an album of pub classics.
Cover and first track below
Please could you give me some thoughts. Will and Jonny are still welcome.

https://soundcloud.com/tim-sheinman/kne ... wn-excerpt
Spencer, you are absolutely right, I do need to make my mark on the London scene.
To do this, I have recorded an album of pub classics.
Cover and first track below
Please could you give me some thoughts. Will and Jonny are still welcome.

https://soundcloud.com/tim-sheinman/kne ... wn-excerpt
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Ken Boi
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Don R Brown
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Well, here's "It's Over Again" https://www.youtube.com/watch?v=2NK_E1lF2hsKen Boi wrote:I'm just waiting for 'Together Again 3"....
Many play better than I do. Nobody has more fun.
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Larry Ball
- Posts: 369
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Hi Tim,
Sadly "Country Music" has changed which as Richard mentioned has been the direct result of Young Artists, Young Producers and Songwriters. playing to
the desires of fame and the almighty dollar. Hank Williams Sr. and Vince Gill are much different so you can say Country Music evolved too. Those of us that came from the music of the 50's,60's and 70's are witness to the evolution.
So trying to save "Country Music" is not going to happen. You can contribute to the sound by keeping the steel alive in your songs.
I have discussed some of the approaches to keep "traditional Country Alive" with a group that I follow in Australia. Saying keep up the great work as "We" support you. Australia has some great Country Music from the "Old" Nashville Sound.
Tamworth, Australia has a big 10 day festival that draws the major players. Michael Rose a truly great steel player preforms there with his group "The Feral Swing Katz" . Stuie French and Friends (including Redd Volkaert), who played lead for Merle Haggard at one time comes over there often to join Stuie.
This festival is similar to Fan Fair in Nashville.
The point to all this that good old Country Music is played and lots of great steel guitar.
So as I said you will not change the direction of Country Music but you can influence it alot with the steel guitar.
My two Cents.
Sadly "Country Music" has changed which as Richard mentioned has been the direct result of Young Artists, Young Producers and Songwriters. playing to
the desires of fame and the almighty dollar. Hank Williams Sr. and Vince Gill are much different so you can say Country Music evolved too. Those of us that came from the music of the 50's,60's and 70's are witness to the evolution.
So trying to save "Country Music" is not going to happen. You can contribute to the sound by keeping the steel alive in your songs.
I have discussed some of the approaches to keep "traditional Country Alive" with a group that I follow in Australia. Saying keep up the great work as "We" support you. Australia has some great Country Music from the "Old" Nashville Sound.
Tamworth, Australia has a big 10 day festival that draws the major players. Michael Rose a truly great steel player preforms there with his group "The Feral Swing Katz" . Stuie French and Friends (including Redd Volkaert), who played lead for Merle Haggard at one time comes over there often to join Stuie.
This festival is similar to Fan Fair in Nashville.
The point to all this that good old Country Music is played and lots of great steel guitar.
So as I said you will not change the direction of Country Music but you can influence it alot with the steel guitar.
My two Cents.
Sho~Bud SD10 LDG, Show-Pro SD10 LDG, Peavey Nashville 112, Boss Katana 100 MK11, Telonic's F100 Multi-Taper Super Pro V/P, Wayne Brown “Custom Designed Amp”
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Tim Sheinman
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Charlie McDonald
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Larry Ball
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As I said "Just keeping the steel guitar. Because if
you listen to todays Country Music you will not hear a steel or rarely. Just a lot six strings guitars with lots of effects etc.
you listen to todays Country Music you will not hear a steel or rarely. Just a lot six strings guitars with lots of effects etc.
Sho~Bud SD10 LDG, Show-Pro SD10 LDG, Peavey Nashville 112, Boss Katana 100 MK11, Telonic's F100 Multi-Taper Super Pro V/P, Wayne Brown “Custom Designed Amp”
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Fred Treece
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Depends. Which country are we talking about? Is the Pub album available in all 12 keys? There are minor keys too, you know. What are you waiting for? Fans have waited days and days for your next release. And hey - real country fans want it on vinyl. None of this download streaming whatever ya call it stuff...Tim Sheinman wrote:SO WHAT SHOULD I DO??
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Tim Sheinman
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Rick Campbell
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