Mike Johnson and reverb
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Larry Behm
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Mike Johnson and reverb
Listening to a lot of Mike, seems like he is a minimalist when it comes to the use of reverb and no delay. Just the pure sound of the steel. Correct me those who know him or call him and ask. Inquiring minds or just plain steel guitar junkies want to know his take on that issue.
He does not hide behind it, lays his intonation on the line, line after musical line. Got to love Mike and the same goes for Gary Carter.
He does not hide behind it, lays his intonation on the line, line after musical line. Got to love Mike and the same goes for Gary Carter.
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Phone: 971-219-8533
Fred Kelly D3-H-8 Delrin speed pick (White), Dunlop finger picks-.0225
Phone: 971-219-8533
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John Goux
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Mike explains his use of reverb and delay in this great video. Here is the link.
John
https://youtu.be/70KyY9GNUPk
John
https://youtu.be/70KyY9GNUPk
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John Swain
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Jack Hanson
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Erv Niehaus
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Jack Hanson
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Kyle Everson
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It is important to remember that in a live room, there is a natural reverb and delay because of the sound bouncing off of the walls, tables, chairs, people, and other things in the room. If a sound is completely dry in a studio setting, it can sound odd (though there are situations where this is necessary and preferred). What Mike described in the video, setting delay to ~300ms, gives the sound some presence in the mix, and mimics the sound of a live room. Keeping the mix level low, 10-12%, and moderate repeats, 6-8, really fattens up the tone.
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Bobby Boggs
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In the mid 70's. For live performances that I witnessed. Buddy used an Echoplex set to have a very short delay and fast repeat. This was to fatten his sound. He later moved to the DD-2. Then on up the food chain as better gear became available. I always liked that effect and still use it today.Buddy did sparingly use an Echoplex (Witch's Brew?)
b.
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Erv Niehaus
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Tony Prior
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Just don't lose sight that recorded sounds are not the same as live sounds. +/- 300 MS delay at near 10 or 15 % mix with a single slap is a nice live sound but can be overdone easily.
Regarding reverbs, we may find that longer reverbs are found on recordings over live settings, especially with a stereo blend. While we would probably never use a longer reverb LIVE.
When we use a reverb or a delay, the purpose is to enhance our style, execution, call it whatever. We just don't turn em on and hope for the best. Especially because someone else uses those settings.
When we watched Buddy messing with the delay, he knew it wasn't quite right for what he wanted to hear. It may have even been interfering with his execution or maybe not offering enough. Effects are part of our performance, execution etc..
We can listen to two players playing the exact same song, same amp, same reverb , same delay. One of them we may say, too much delay or reverb, the other we may say, man that sounds incredible. We incorporate them into our style and execution.
we just don't turn them on...or maybe we do !

Regarding reverbs, we may find that longer reverbs are found on recordings over live settings, especially with a stereo blend. While we would probably never use a longer reverb LIVE.
When we use a reverb or a delay, the purpose is to enhance our style, execution, call it whatever. We just don't turn em on and hope for the best. Especially because someone else uses those settings.
When we watched Buddy messing with the delay, he knew it wasn't quite right for what he wanted to hear. It may have even been interfering with his execution or maybe not offering enough. Effects are part of our performance, execution etc..
We can listen to two players playing the exact same song, same amp, same reverb , same delay. One of them we may say, too much delay or reverb, the other we may say, man that sounds incredible. We incorporate them into our style and execution.
we just don't turn them on...or maybe we do !
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jobless- but not homeless- now retired 9 years
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Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
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Mike Johnson
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Larry, thx for the nice words. In the studio, I never send reverb to tape. I would much rather they apply some in the mix. It’s hard to know how much to add until all the instruments and vocals are in their place on the recording. It just seems to work better for them and me.
Live, I do put some reverb on my LTD. It definitely effects the way you play. Also when I use the LTD on Country”s Family Reunion, I have a little bit on my amp but they add some to the mix also. Seems to work ok.
THX
Live, I do put some reverb on my LTD. It definitely effects the way you play. Also when I use the LTD on Country”s Family Reunion, I have a little bit on my amp but they add some to the mix also. Seems to work ok.
THX
Mike Johnson
www.mikejohnsonproductions.com
www.mikejohnsonproductions.com
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John Lacey
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When Buddy played our show in Edmonton in ‘82, he brought a large road case full of MXR effects, digital delays, digital reverbs, pitch transposers then on the lid of the box were an array of foot pedals. He went into a Session 500 and a 400 that we provided and his sound was huge. Thrill of a lifetime.
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Lee Baucum
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Fred Treece
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John Sluszny
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Mike,thanks for the information but what is a LTD ?Larry, thx for the nice words. In the studio, I never send reverb to tape. I would much rather they apply some in the mix. It’s hard to know how much to add until all the instruments and vocals are in their place on the recording. It just seems to work better for them and me.
Live, I do put some reverb on my LTD. It definitely effects the way you play. Also when I use the LTD on Countryâ€s Family Reunion, I have a little bit on my amp but they add some to the mix also. Seems to work ok.
THX
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John Sluszny
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