Dissertation finished
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Richard Nelson
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Dissertation finished
I have completed my dissertation entitled " The Pedal Steel Guitar is a Jazz Instrument A Defence". Anyone who wants to read it let me know. I'm graduating on the 4th of Nov 17.
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Malcolm McMaster
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Ray Mangrum
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Dissertation
Congratulations!!! I would like to read it!! Thanks, Ray
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Charlie Hansen
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Congratulations Richard. I would like to read it as well.
I don't know much but what I know I know very well.
Carter S-10 3X5, Peavey Nashville 112, plus Regal dobro and too many other instruments to mention.
Bluegrass Island CFCY FM 95.1 Charlottetown, PE, Canada, on the web at cfcy.fm.
A Touch Of Texas CIOE FM 97.5 Sackville, NS, Canada,
on the web at cioe975.ca.
Carter S-10 3X5, Peavey Nashville 112, plus Regal dobro and too many other instruments to mention.
Bluegrass Island CFCY FM 95.1 Charlottetown, PE, Canada, on the web at cfcy.fm.
A Touch Of Texas CIOE FM 97.5 Sackville, NS, Canada,
on the web at cioe975.ca.
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Greg Koenig
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fraser
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Rick Schmidt
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Marty Broussard
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Congrats Richard and I'd love to read it.
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
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Richard Nelson
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Tonu Timm
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Great! I'm interested in reading it too, of course;)
GFI Ultra SD-10, BearCreek Weissenborn, Herrmann style 4 Weiss, Åberg W2 Weiss, Hermann Baritone Weiss, National Polychrome Tricone, Fender Champ Lapsteel, Epiphone Electar Century 8-string, Quiter Micropro Mach 2 HD, Nashville 112, Zirconia bars, Bob Perry picks...
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Rick Bernauer
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Anthony Lis
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Dom Franco
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Charley Hill
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Roy Heap
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Terry Bethel
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read
Richard,
Hey my friend congratulations it sounds interesting, would love to read it ,
Terry Bethel
Hey my friend congratulations it sounds interesting, would love to read it ,
Terry Bethel
www.ozarksteelguitar.com
www.terrybethelmusic.com
D-10 Mullen G2 9 x 9, 2-D-10 Bethels 9x9 , 2= Nashville 112's, a Walker Stereo steel Amp Hilton VP, Hardwire Reverb with Lexicon Reverb Peavy Pro Fex II Peavey Digital power amp with effects.Sarno Black Box
Other than that, I ain't doin' nothin'...
www.terrybethelmusic.com
D-10 Mullen G2 9 x 9, 2-D-10 Bethels 9x9 , 2= Nashville 112's, a Walker Stereo steel Amp Hilton VP, Hardwire Reverb with Lexicon Reverb Peavy Pro Fex II Peavey Digital power amp with effects.Sarno Black Box
Other than that, I ain't doin' nothin'...
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John Alexander
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Chris Templeton
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Richard, I would like to read it. Maybe you could put up a direct link to your dissertation as opposed to everyone having to do computocrap. You have enough interest.
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
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Bob Watson
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Richard Nelson
- Posts: 576
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Yeah enough MI5 here's the link. Thanks everyone. Hi Terry
https://www.dropbox.com/sh/g8i008gus3sz ... x9I6a?dl=0
There is a mistake in the 2nd bar of Mr PC in the tab... the notation is right, Thanks Jim Cohen....... the quartal arpeggio starts on fret 10. If I could get Sibelius to kickstart I could fix it .......If life were that simple!
https://www.dropbox.com/sh/g8i008gus3sz ... x9I6a?dl=0
There is a mistake in the 2nd bar of Mr PC in the tab... the notation is right, Thanks Jim Cohen....... the quartal arpeggio starts on fret 10. If I could get Sibelius to kickstart I could fix it .......If life were that simple!
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Charlie Hansen
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Excellent work. I'm enjoying it very much.
I don't know much but what I know I know very well.
Carter S-10 3X5, Peavey Nashville 112, plus Regal dobro and too many other instruments to mention.
Bluegrass Island CFCY FM 95.1 Charlottetown, PE, Canada, on the web at cfcy.fm.
A Touch Of Texas CIOE FM 97.5 Sackville, NS, Canada,
on the web at cioe975.ca.
Carter S-10 3X5, Peavey Nashville 112, plus Regal dobro and too many other instruments to mention.
Bluegrass Island CFCY FM 95.1 Charlottetown, PE, Canada, on the web at cfcy.fm.
A Touch Of Texas CIOE FM 97.5 Sackville, NS, Canada,
on the web at cioe975.ca.
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Dan Beller-McKenna
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Mark Eaton
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Congratulations on attaining your Masters, Richard!
I've started reading your dissertation in Dropbox, and one thing I would like to compliment you on for now is how you construct your tablature. I like how you type the numbered note to be played on the line, rather than in a space between two lines.
I don't know if it is just me, but starting out decades ago as a lap steel student as a kid and later a guitar (and lap style dobro) student, most of the TAB I have utilized in my life has been where the numbered notes are typed on the black line. To me, it's like looking at the screen or paper and I am seeing the note on the actual string. It is easy for me to instantly visualize which string is supposed to be played.
I have found over the years that the vast majority of pedal steel TAB I have come across is designed where the author types in the numbered note to be played in the space, rather than on the black line.
I have a difficult time relating to TAB done in this style - when you're talking 10 strings per neck, it sometimes takes me a few seconds to connect which string is to be played.
I've started reading your dissertation in Dropbox, and one thing I would like to compliment you on for now is how you construct your tablature. I like how you type the numbered note to be played on the line, rather than in a space between two lines.
I don't know if it is just me, but starting out decades ago as a lap steel student as a kid and later a guitar (and lap style dobro) student, most of the TAB I have utilized in my life has been where the numbered notes are typed on the black line. To me, it's like looking at the screen or paper and I am seeing the note on the actual string. It is easy for me to instantly visualize which string is supposed to be played.
I have found over the years that the vast majority of pedal steel TAB I have come across is designed where the author types in the numbered note to be played in the space, rather than on the black line.
I have a difficult time relating to TAB done in this style - when you're talking 10 strings per neck, it sometimes takes me a few seconds to connect which string is to be played.
Mark
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Rick Schmidt
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