Buddy E's best sound?
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Tony Harris
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Buddy E's best sound?
Many of you reckon Buddy's sound on the black album is his best, but I've just been listening to the Redneck Jazz Explosion live album with Danny Gatton. Listen to "Lil' Darlin'" - the steel sounds HUGE! Wonderful playing from everybody!
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Bobby Boggs
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Buddy always sounds great.However the sound he got on the LIVE at ST.Louis LP's.Was the sound I aimed for for many years.In the last couple of years I have changed a little.Brightened the highs and upper mids a bit.Also I love his C6th tone on the last swing CD that he and Ray did.Well like I said I love them all.But those are 2 of my favorites.Touch MY Heart ain't bad either!
--bb<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bobby Boggs on 19 August 2002 at 10:08 AM.]</p></FONT>
--bb<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bobby Boggs on 19 August 2002 at 10:08 AM.]</p></FONT>-
Herb Steiner
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This is like discussing the "best" flavor of Haagen Dasz ice cream!
Like, there's a "not as good" one?
I personally have three favorite "desert island CD" sounds of E's: the early 60's Sho-Bud sound of Night Life and Rose City Chimes; the Emmons Wagon sound of Touch My Heart; and, the Swing Shift Series sound of the early-mid 90's.
Close on the heels of these three is the Bigsby sound of Buddie's Boogie, Raisin' the Dickens, and Half A Mind.
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Herb's Steel Guitar Pages
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<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Herb Steiner on 19 August 2002 at 10:11 AM.]</p></FONT>
Like, there's a "not as good" one?I personally have three favorite "desert island CD" sounds of E's: the early 60's Sho-Bud sound of Night Life and Rose City Chimes; the Emmons Wagon sound of Touch My Heart; and, the Swing Shift Series sound of the early-mid 90's.
Close on the heels of these three is the Bigsby sound of Buddie's Boogie, Raisin' the Dickens, and Half A Mind.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Herb Steiner on 19 August 2002 at 10:11 AM.]</p></FONT>
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Mike Cass
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Ernie Renn
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Good enough for me, too! 
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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com

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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
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Dave Robbins
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Bruce W Heffner
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Buddy's best sound is his next sound. If pressed, I would have to say the album with Duane E. " Twang a Country Song " is really monumental.
Bruce
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www.pedalsteel.net
Bruce
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Herby Wallace
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Here I go again adding my two cents worth. When it comes to Buddy Emmons' tone, he is the master. His tone has been my favorite for many years and still is. I've never heard what I could call a bad tone. I do think that the period Mike mentioned in the middle sixties on albums like Touch My Heart can't be beat, and I think this is the tone that pretty much set the standard that most all steel players and guitar builders are still trying to find, including myself. I just can't say enough when it comes to BE.
Herby Wallace
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Herby Wallace
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Tiny Olson
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I'm down with all of the above. Buddy is my favorite by all means and I too try to emulate his tone. I just have to cast my vote for the "Touch My Heart" album as my favorite of my favorites. It's THE album, that initially made me want to play the pedal steel guitar and I can hear it time and time again without ever growing tired of listening. Man... what a tone !!!
Tiny Olson
Tiny Olson
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Red Kilby
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Since the beginning of time, certain individuals have left a lasting empression on the field of endeavor they have chosen for a career whether it be Engineering, Chemistry, Teaching, The Law, or Music. Buddy Emmons certainly left a lasting empression and continues to do so. Through his innovations and creativity he has brought the steel guitar from the beautiful simplicity of Country Music to the intricate chord structure of progressive jazz. There is not anyone who can outperform him, because he always has been, still is, and always will be the greatest steel guitar player that ever lived. May God bless and keep you always, Big E. Friends always, Jody.
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Dave Burr
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Tony, At this link, http://users.interlinks.net/rebel/steel/1966.html you will find a clip of the song "Touch My Heart"... It is from an album titled the same. Some of Ray's albums have been rereleased on CD... I sure hope they do it with this one.
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<marquee><H1><i><font color=green><font size=3>Dave Burr
Remington Sustainmaster SD-10 3x4</marquee><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>
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<marquee><H1><i><font color=green><font size=3>Dave Burr
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Frank Estes
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I've never had the privilege to hear the "Touch My Heart" recording. At the age of 39, I have missed some of the stuff many of you "seasoned citizens"
got to experience. Obviously, now I have just got to hear it. I will have to check these old LPs that a friend loaned me.
Anyway, the Buddy tone that really knocks me out is the 78 ISGC recording of "Blue Jade." It is included in Scotty's Anthology instruction course. Buddy used the blade and I think it was an echoplex to provide that incredible sustain. I would assume it was through a Peavey amp, like a Session 400. Simply perfect!
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Frank Estes - 1978 Emmons D-10 8+6 #2441D
got to experience. Obviously, now I have just got to hear it. I will have to check these old LPs that a friend loaned me.Anyway, the Buddy tone that really knocks me out is the 78 ISGC recording of "Blue Jade." It is included in Scotty's Anthology instruction course. Buddy used the blade and I think it was an echoplex to provide that incredible sustain. I would assume it was through a Peavey amp, like a Session 400. Simply perfect!
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Frank Estes - 1978 Emmons D-10 8+6 #2441D
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John Bechtel
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