Sara Jory
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Damir Besic
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Tony Prior
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it's part of her show, it works,it's part of her entertainment thing. But lets remember that when Buddy did it , it wasn't from the mood of the music, it was likely he was really "out of the box" , maybe playing something he "just found " at that moment or perhaps he was going someplace he did not intend to ! Buddy didn't show emotion from his own licks or phrases, he showed a "reaction" TO his licks and phrases !
it's all good, Sarah is fine talent, always enjoyed her show.
Now Joe Wright...well , he's a whole new chapter ! Whatever you do don't try to "one up" verbally him in public !
it's all good, Sarah is fine talent, always enjoyed her show.
Now Joe Wright...well , he's a whole new chapter ! Whatever you do don't try to "one up" verbally him in public !
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Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
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Charley Hill
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Re: Sara Jory
Richard Sinkler wrote:I thought this remark was terribly rude. You see players of many instruments make facial expressions while playing. This is overly abundant with rock players. Even in country you see a lot of this behavior, especially the newer country.Brian Henry wrote:Sara is a great steel guitarist, but why all the constipation theatrics?
Lighten up.
I am with you Richard. There is no positive benefit from this post and consider it to be Bullying and Crass. It lacks positive substance!
I personally know Sarah and such derogatory comments are highly offensive. But, regardless if I know her or not, this is unsatisfactory, in my opinion.
Charley
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Barry Blackwood
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Kevin Fix
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The Big "E"
Hey Damir, I bet I seen that You Tube clip a dozen times. One of my favorites also!!!
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Scott Denniston
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Roger Rettig
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Please don't misunderstand this but I find the affectations (that's certainly what they are) to be disconcerting.
I think Sarah is an extremely accomplished player and one of the very best to ever come from my side of the Atlantic. I believe at some point she decided to add something to her performances and the histrionics started. She's a player that I'd far sooner listen to than watch.
She's still a great player, however.
Another master-musician who falls into the same category for me is Tommy Emmanuel. I simply can't watch him without becoming irritated despite his undeniable virtuosity. Like Sarah, I'd sooner listen than watch.
Buddy Emmons? That was totally different. He remained committed to what he was doing yet his sense of humor was always evident. Did you notice how, whenever a photographer would approach the stage, he'd give a broad smile even if he kept his head down as he did so. He was always in such control yet, when he did make a mistake, he'd share the joke with all of us.
I think Sarah is an extremely accomplished player and one of the very best to ever come from my side of the Atlantic. I believe at some point she decided to add something to her performances and the histrionics started. She's a player that I'd far sooner listen to than watch.
She's still a great player, however.
Another master-musician who falls into the same category for me is Tommy Emmanuel. I simply can't watch him without becoming irritated despite his undeniable virtuosity. Like Sarah, I'd sooner listen than watch.
Buddy Emmons? That was totally different. He remained committed to what he was doing yet his sense of humor was always evident. Did you notice how, whenever a photographer would approach the stage, he'd give a broad smile even if he kept his head down as he did so. He was always in such control yet, when he did make a mistake, he'd share the joke with all of us.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Roger Rettig
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Ken Campbell
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Doug, Roger,
Are we differentiating between contrivance and authenticity?
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Roger Rettig
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I think so.
With Sarah and Tommy E. it's a contrivance. Why else would she lift her picking hand up in the air as she pushes a knee lever? I believe she's drawing attention the instrument's complexity (in case the Great Unwashed don't notice!)
Let me stress that both the players I've cited are, in their own way, the products of endless practice and dedication to their craft. They have my deep respect.
With Sarah and Tommy E. it's a contrivance. Why else would she lift her picking hand up in the air as she pushes a knee lever? I believe she's drawing attention the instrument's complexity (in case the Great Unwashed don't notice!)
Let me stress that both the players I've cited are, in their own way, the products of endless practice and dedication to their craft. They have my deep respect.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Dale Foreman
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Sara Jory
I first met and heard Sara when she was 16 and she played and made the same faces then as she does now. Steel is her passion!! Enough said.
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Ken Campbell
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I have the same respect.Roger Rettig wrote:I think so.
With Sarah and Tommy E. it's a contrivance. Why else would she lift her picking hand up in the air as she pushes a knee lever? I believe she's drawing attention the instrument's complexity (in case the Great Unwashed don't notice!)
Let me stress that both the players I've cited are, in their own way, the products of endless practice and dedication to their craft. They have my deep respect.
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Bob Ricker
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I think its tough to make it as an instrumentalist, anywhere.
I have heard her back in St. Louis and what impressed me was she would play interesting songs, no matter the expression, or stage wear or what ever.
I guess I am of that opinion with any instrumentalist, still it is personal taste. I was impressed with her song selection and capability.
I have a hard time at steel shows when I hear songs like "All of Me", "Steel Guitar Rag"..etc. Players like Tommy Dodd always made me take notice, he always plays something very musical. I remember a player at the Knoxville show, playing great traditional country which sounded incredible, great tone, then played a song like "Because" by the Dave Clark Five. I was impressed, I don't even know his name, think he was local, but he has stood out in my mind as a great and entertaining steel player in my mind for 20 years.
I have heard her back in St. Louis and what impressed me was she would play interesting songs, no matter the expression, or stage wear or what ever.
I guess I am of that opinion with any instrumentalist, still it is personal taste. I was impressed with her song selection and capability.
I have a hard time at steel shows when I hear songs like "All of Me", "Steel Guitar Rag"..etc. Players like Tommy Dodd always made me take notice, he always plays something very musical. I remember a player at the Knoxville show, playing great traditional country which sounded incredible, great tone, then played a song like "Because" by the Dave Clark Five. I was impressed, I don't even know his name, think he was local, but he has stood out in my mind as a great and entertaining steel player in my mind for 20 years.
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Ken Byng
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Some of the comments on this thread are very (non-deliberately) humourous. As someone who spent a fair amount of time teaching Sarah to play in her younger years, all I will say is this. Enjoy her playing for what it is and ignore her facial expressions. They are an irrelevance.
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Ken Byng
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Me too Damir. The whole room comes to life when Buddy starts to play. The other musicians know that they are in the presence of greatness.
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Jim Reynolds
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Doug, I really love your work, and think you are up there with the best. Sara is a wonderful player, of so many instruments. I remember seeing Jimmy Day, in Germany, on tour with Ray Price. Night Life was a big hit for steel at that time. When Ray done this song, Jimmy made the facial expressions of every note he played. That was when I fell in love with the pedal steel guitar. I can't do it, not sure if it's just me, or I have to keep my mind on what I'm doing. I have enjoyed every comment in this section. Yes, Joe Wright is a real treat, and is a great guy.
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Ken Byng
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Lynette Richards
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Well I think Sarah is Bad A$$. She is one of my favorites, and also a great friend. She is so talented on so many instruments, I bet it makes several people jealous that she can even do it with her eyes closed. It does me HAHA. The way I see it 95% or more of steel guitar players are shoved in a corner or the dark part of the stage, there are only a big handful I can think of that plays front and center and is the SHOW on a regular basis. So since she can't jump around and jump off speakers and all the other things that the main Artist does to give it life, I think she has found a way to do that from her guitar seat. I think it's Awesome!!
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Charley Hill
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Jim Reynolds
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Yes, your right Ken it is Sarah, but it is pronounced the same way. There are some of us, that are not the best typist to0. She is remarkable no matter how you spell her name.
Zum U-12, Carter SDU-12, Zum Encore, Emmons S-10, Emmons D-10, Nashville 400, Two Peavey Nashville 112, Boss Katana 100, Ibanez DD700, Almost every Lesson Jeff Newman sold. Washburn Special Edition Guitar, Can never have enough, even at 80. 1963 Original Hofner Bass bought in Germany 1963, and a 1973 Framus Bass also bought in Germany 1974.
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Roger Rettig
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It's getting to the point where one has to be careful of expressing an opinion on here.
I think she's a great player but I respectfully disagree with Ken when he says her presentation is 'an irrelevance'. It affects my enjoyment of her fine playing so, as is also the case with Mr Emmanuel, for me it is relevant.
No 'envy' here, just respect for her accomplishments.
I think she's a great player but I respectfully disagree with Ken when he says her presentation is 'an irrelevance'. It affects my enjoyment of her fine playing so, as is also the case with Mr Emmanuel, for me it is relevant.
No 'envy' here, just respect for her accomplishments.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Roger Rettig
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