30 years from now.....Where will the Steel Guitar Be?
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Craig Stock
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The TV show that has 5 spots in the Cable Top ten list, 'Spongebob Square Pants' has steel on it all the time, just think of all those kids... and adults whom are being exposed to it and sponging it up, even if they don't know it.
Robert Randolph also made Entertainment Weekly's list of top innovators in the music section of their last issue.
I personally think the future is bright, and everyone just needs to get out and play, even if it's at the local bandstand on a summer night.
You never know who you will inspire, maybe one of the little kids who watches Spongebob and finally says, 'So that's the thing that makes all those cool sounds'.
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Regards, Craig
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Craig Stock on 01 July 2002 at 04:19 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Craig Stock on 01 July 2002 at 04:21 PM.]</p></FONT>
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Bobby Lee
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Joe Miraglia
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Craig--You are so right! That's one reason after 15 years I am at it again (a little rusty). I'm 62 years old, retired last year and hooked up with a 6 piece band playing weekends. Everybody around here is getting to see a steel guitar again. I don't like sitting home Saturday nights (with or without the wife). This Saturday we will be playing at the Moose Club in WESTFIELD, NEW YORK. Right city, wrong state
Joe
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Bill Myrick
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Carl---Although we've never met--I think I know something of you and having said that----in 30 years---what do you really think ????
Are we gonna be under a new government ? One that has a flat 10% contribution rather than "all we can get" taxes ? And another thing-- I am convinced that the King James people omitted some words when they interpreted Psalms 144 verse 9-- I'll bet the scrolls have something to the effect of --"and 3 floor pedals, 4 knee levers and a bump lever" !!!!! Well--- just a thought--
"Bill" -
Are we gonna be under a new government ? One that has a flat 10% contribution rather than "all we can get" taxes ? And another thing-- I am convinced that the King James people omitted some words when they interpreted Psalms 144 verse 9-- I'll bet the scrolls have something to the effect of --"and 3 floor pedals, 4 knee levers and a bump lever" !!!!! Well--- just a thought--
"Bill" -

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Jason Odd
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Tony Prior
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Bobby Lee
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James Hall wrote
Also, the chord transitions on a pedal steel are virtually impossible to emulate. You can pretty much slide from any full chord to any other full chord. Coming up with a human interface to do this in real time on a keyboard is impossible, IMHO.
When you combine those two aspects - the rich tonal variety and the chord transitions - it will always be easier, cheaper and more satisfying musically to use a steel player than to try to coax those things out of a computer.
The real musical strength of the steel guitar is expressiveness. We have keyboards doing string sections, but only an amateur session leader would try to lay down a real violin part with a keyboard. The nuances would be lost. Same goes for steel.
Beyond that, the trend for replacing real real instruments with emulations has pretty much peaked. Heck, they're still using real b@nj*s in the studio.
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (F Diatonic) Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
I think that sort of misses the point of modern steel guitar playing. While they might be able to emulate the sound of country steel guitar somewhat, the steel is capable of a wide range of sounds.<SMALL>30 years from now someone will have invented an effect that sounds like a steel for the keyboard.</SMALL>
Also, the chord transitions on a pedal steel are virtually impossible to emulate. You can pretty much slide from any full chord to any other full chord. Coming up with a human interface to do this in real time on a keyboard is impossible, IMHO.
When you combine those two aspects - the rich tonal variety and the chord transitions - it will always be easier, cheaper and more satisfying musically to use a steel player than to try to coax those things out of a computer.
The real musical strength of the steel guitar is expressiveness. We have keyboards doing string sections, but only an amateur session leader would try to lay down a real violin part with a keyboard. The nuances would be lost. Same goes for steel.
Beyond that, the trend for replacing real real instruments with emulations has pretty much peaked. Heck, they're still using real b@nj*s in the studio.

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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (F Diatonic) Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
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Jerry Johnston
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Joey----My twin twelve Sho-Bud would still weigh a bunch--even on the moon.
The fact that they haven't been able to reproduce the SG sound electronically yet means it probably can't be done. For that reason I think the SG will be around a long time, in pretty much its current form.
Started with no talent--still have most of it.
Jerry
The fact that they haven't been able to reproduce the SG sound electronically yet means it probably can't be done. For that reason I think the SG will be around a long time, in pretty much its current form.
Started with no talent--still have most of it.
Jerry
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KENNY KRUPNICK
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Anders Brundell
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I bet there´ll always be people who love real music, played on real instruments by good instrumentalists, and that the sweet, sweet sound of steel guitar will continue to thrill people in the future.
And youngsters far from country music heartland in USA will certainly come by a steel muuuuuuch easier than when I was young, so they can start playing much earlier and get much better than me. Maybe today´s great differences in playing skills will be somewhat evened out by that.
And youngsters far from country music heartland in USA will certainly come by a steel muuuuuuch easier than when I was young, so they can start playing much earlier and get much better than me. Maybe today´s great differences in playing skills will be somewhat evened out by that.
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Al Marcus
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Gil Berry brought up a good point. The more steel players copy each other, the less interest. They'll all sound alike! Then what!
The pedal steel guitar is a very versatile and expressive instrument.
It hasn't even begun to be recognized and appreciated as it should be by 200,000,000 Americans. Maybe someday......al

The pedal steel guitar is a very versatile and expressive instrument.
It hasn't even begun to be recognized and appreciated as it should be by 200,000,000 Americans. Maybe someday......al

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Jim West
I believe that in 30 years steel will be better than ever. Yes, there will be new materials, new electronics and computer interfaces but the PSG is here to stay. I am waiting for the new young players to break out of the country mold and take the instrument in a totally new direction. I'm also waiting for a new Rusty Young to put the steel center stage again.
I believe the future is bright for PSG. Yes, some of the old musical traditons associated with the PSG will either evolve or die off but it is definetly here to stay.
I know that there are some here that cling to the past hoping that all will stay the same but I don't believe the PSG will take that direction. We are just tapping the potential of the instrument. Imagine the PSG being applied to new musical styles in the mainsteam music formats. Imagine computer automation being applied to keep the instrument in perfect tune at all times, change tunings etc. etc..
I am optomistic that the best lies ahead for the PSG. I will be 82 in 30 years and I'll still be playing my S12 E9. They'll have to bury me with my picks on (where they put the bar though is another question).
Everyone should keep their chins up, picks tight and their pedals tuned. The best is yet to come. I'm looking forward to the next 30 years.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim West on 02 July 2002 at 03:51 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim West on 02 July 2002 at 03:52 PM.]</p></FONT>
I believe the future is bright for PSG. Yes, some of the old musical traditons associated with the PSG will either evolve or die off but it is definetly here to stay.
I know that there are some here that cling to the past hoping that all will stay the same but I don't believe the PSG will take that direction. We are just tapping the potential of the instrument. Imagine the PSG being applied to new musical styles in the mainsteam music formats. Imagine computer automation being applied to keep the instrument in perfect tune at all times, change tunings etc. etc..
I am optomistic that the best lies ahead for the PSG. I will be 82 in 30 years and I'll still be playing my S12 E9. They'll have to bury me with my picks on (where they put the bar though is another question).

Everyone should keep their chins up, picks tight and their pedals tuned. The best is yet to come. I'm looking forward to the next 30 years.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim West on 02 July 2002 at 03:51 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim West on 02 July 2002 at 03:52 PM.]</p></FONT>