What's the beef with banjo players?
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Gene Jones
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b0b
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Historical reason
Wasn't (isn't) the banjo associated as the primary instrument with many of the old minstrel show types such as Uncle Dave Macon, and country music tried to get away from the sound moving toward what was thought of as a more sophisticated and modern sound. Also, the clawhammer style banjo is a very percussive instrument and the incorporation of drums into country music may have contribued to the demise of the banjo in much of country music
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Bob Simons
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Alan Brookes
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Alan Brookes
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http://bb.steelguitarforum.com/viewtopi ... ve++sinned
Getting back to the subject, "What's the beef with banjo players?", maybe the place to find out about beef and banjo players would be a banjo barbeque...

Getting back to the subject, "What's the beef with banjo players?", maybe the place to find out about beef and banjo players would be a banjo barbeque...

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Ken Byng
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I have been revisiting the 2 Area Code 615 albums in my car over the past month. I'm with Roger Rettig on this one, and think that Bobby Thompson who along with Bill Keith was one of the Godfathers of the melodic banjo style, was an incredible musician. Lloyd did a number of cuts with Thompson too and rated him very highly.
We all have those life changing eureka moments in life where we hear a musical instrument and fall in and out of love with it for the rest of our lives. I guess that's why we all play steel guitar on this forum, but we must respect that the banjo is a bona fide musical instrument with a massive following. The banjo forum has a membership number that we can only dream of. Finding a banjo's sound to be unmusical as Doug and b0b do does not invalidate its place as a musical instrument. It's all down to personal choice and taste.
I much prefer hearing a fingerstyle banjo playing melodic style by a master player than the tiresome tremolo single string or strumming style heard on films and musicals. Bobby Thompson and Weldon Myrick showed just how well a steel guitar and banjo can compliment each other on those two classic albums all those years ago.
We all have those life changing eureka moments in life where we hear a musical instrument and fall in and out of love with it for the rest of our lives. I guess that's why we all play steel guitar on this forum, but we must respect that the banjo is a bona fide musical instrument with a massive following. The banjo forum has a membership number that we can only dream of. Finding a banjo's sound to be unmusical as Doug and b0b do does not invalidate its place as a musical instrument. It's all down to personal choice and taste.
I much prefer hearing a fingerstyle banjo playing melodic style by a master player than the tiresome tremolo single string or strumming style heard on films and musicals. Bobby Thompson and Weldon Myrick showed just how well a steel guitar and banjo can compliment each other on those two classic albums all those years ago.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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Doug Beaumier
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Doug Beaumier
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Doug Beaumier
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Ian Rae
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Roger Rettig
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I repeat my remarks of fifteen years ago:
I wrote:
"I've always enjoyed ribbing other musicians, and have had lots of fun getting my share in return; it's always directed at players whose competence, or even excellence, is self-evident. That way, it's so clearly a good-natured joke that no offence or slur could possibly be inferred. I would never direct such a remark to a player who is only holding his own, as it could easily be taken the wrong way.
The banjo jokes are such a well-established tradition amongst players everywhere that I'd be surprised if any half-way decent banjoists hadn't heard - and laughed at - all of them.
I was lucky enough to tour with Bela Fleck when he was a part of Newgrass Revival in the late-1980s. I can assure you that he knew more banjo-jokes than the rest of us put together, and bore it all with a very good grace."
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Having said that, I do think 'Snare-on-a-stick' is funny.
I wrote:
"I've always enjoyed ribbing other musicians, and have had lots of fun getting my share in return; it's always directed at players whose competence, or even excellence, is self-evident. That way, it's so clearly a good-natured joke that no offence or slur could possibly be inferred. I would never direct such a remark to a player who is only holding his own, as it could easily be taken the wrong way.
The banjo jokes are such a well-established tradition amongst players everywhere that I'd be surprised if any half-way decent banjoists hadn't heard - and laughed at - all of them.
I was lucky enough to tour with Bela Fleck when he was a part of Newgrass Revival in the late-1980s. I can assure you that he knew more banjo-jokes than the rest of us put together, and bore it all with a very good grace."
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Having said that, I do think 'Snare-on-a-stick' is funny.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Dave Magram
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Here's an very nicely done banjo version of Buddy Emmons' solo on "Gentle On My Mind", played by Bennett Sullivan...
Gentle on My Mind [Pedal Steel solo by Buddy Emmons]
https://www.youtube.com/watch?v=O-03QaJJbBQ
Buddy and John Hartford were close personal friends, according to Peggy Emmons.
- Dave
Gentle on My Mind [Pedal Steel solo by Buddy Emmons]
https://www.youtube.com/watch?v=O-03QaJJbBQ
Buddy and John Hartford were close personal friends, according to Peggy Emmons.
- Dave
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Donny Hinson
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Andy Jones
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Banjo jokes don't bother or offend me in the least.Neither am I envious of better/faster steel players.
I've been playing banjo since my teens and it has served me well since I started playing the steel(I'm 71 now).I've heard about many steel players having trouble with finger picks.Playing fast bluegrass instrumentals,I got used to picks quickly and never had a problem with them coming off or being uncomfortable.
Also the dexterity of my fingers from the banjo rolls and different patterns if finger picking contributed immensely to playing the steel.The transition to steel was fairly easy for my right hand.The rest of it was the most difficult.So,all in all,banjo playing helped me greatly in learning the steel.
I've been playing banjo since my teens and it has served me well since I started playing the steel(I'm 71 now).I've heard about many steel players having trouble with finger picks.Playing fast bluegrass instrumentals,I got used to picks quickly and never had a problem with them coming off or being uncomfortable.
Also the dexterity of my fingers from the banjo rolls and different patterns if finger picking contributed immensely to playing the steel.The transition to steel was fairly easy for my right hand.The rest of it was the most difficult.So,all in all,banjo playing helped me greatly in learning the steel.
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Peter Dollard
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Roscoe Holcomb
I had that record and it was the first banjo record i ever heard of "mountain" music. Roscoe had a high razor edged voice that would limit his work potential but his banjo playing was pretty good. Not really Scruggs style kind of the Charlie Poole school of occasional three finger rolls from the thirties. I have to say I NEVER thought I would see this on the Forum so thank you for reminding me of that record. He had one neat song called Charlies neat and Charlies sweet and Charlie hes a dandy something like that...
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John Ducsai
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Pete Burak
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