Sara Jory
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Terry Barnett
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All I've ever read from you here was about promoting yourself. Nothing else! I'd bet that you don't even follow this thread anymore.W. C. Edgar wrote:This is one of the things I've never liked about any forum. There's always someone shooting off their mouth degrading someone else when they in turn are the ones that should be practicing.
Go figure
Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube.
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Dave Mudgett
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I wrote this several days ago and sat on it, saving to a textfile. But in light of recent posts, I think it is appropriate to just let it loose.
Why do I think nothing good could have ever come from this kind of discussion? Because it is really irrelevant to the playing of music, and, to many, it just comes off as curmudgeonly grumbling by a bunch of old men about the woman who is, arguably at least, the finest female player of the pedal steel guitar extant. Even worse, this type of criticism may squelch the natural tendency of other steel players to just "let it loose" while they're playing. My God, do we really want to institutionalize the standard Sphinx-like, stonefaced stare most pedal steel players adopt while playing?
Feel free to disagree with me. But I think you should think hard before you dismiss this and other criticisms as a bunch of nonsense, and ask yourselves, "Just who are the thought police?".
OK, to the present. As far as "thought police" go - again, gimme a break. I personally think there is no good that could have ever come from the original post, but nobody has silenced the discussion. Some members here feel free to post gratuitous and, IMO, insulting commentary about one of the most personal aspects of the way a great musician performs. Nobody has interfered with anybody's privilege (granted by b0b, not the First Amendment of the US Constitution - this is not a First Amendment Free Speech Zone) to do this. But other members are equally free to disagree, even heartily, and some have. Sorry if you can't take the heat. But IMHO, you should have never posted personal criticisms of a really fine player in the first place if you can't take this kind of disagreement.Dave Mudgett from a few days ago wrote:In the spirit of total brutal honesty that seems to pervade this thread, I have to confess that this discussion makes me cringe. And I'm sure I have no idea what 'constipation' has to do with any of this.
I see Sarah as someone who simply physically reacts to the music she is playing. Great musicians often physically react to the music they are playing. Some of it may be 'show-biz', but I think a lot of it is a natural result of some musicians' bodies being mentally and physically connected to the music they are playing. Pick one of the great violinists like Perlman and just look at a video - here's the first one that come up on a google search - https://www.youtube.com/watch?v=RYokqDoXQjU. Do you really think he's 'mugging'? Gimme a break. And there are lots more very serious musicians who are way too busy playing to worry about what the peanut gallery thinks about how their body reacts while they're doing it.
Of course, there's plenty of wild theatrics in the wider popular music culture that actually displaces musical performance. I don't like it, never did, never will. But I don't think that is remotely comparable to what is being discussed here.
Why do I think nothing good could have ever come from this kind of discussion? Because it is really irrelevant to the playing of music, and, to many, it just comes off as curmudgeonly grumbling by a bunch of old men about the woman who is, arguably at least, the finest female player of the pedal steel guitar extant. Even worse, this type of criticism may squelch the natural tendency of other steel players to just "let it loose" while they're playing. My God, do we really want to institutionalize the standard Sphinx-like, stonefaced stare most pedal steel players adopt while playing?
Feel free to disagree with me. But I think you should think hard before you dismiss this and other criticisms as a bunch of nonsense, and ask yourselves, "Just who are the thought police?".
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Brian Henry
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Dave Mudgett
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Brian, I don't think this is about so-called 'political correctness'. I think it's about judgment and taste. Everybody likes what they like, and dislikes what they dislike. That is perfectly reasonable.
But I just think that calling out something personal like this about a fellow musician and pedal steel player on an open, world-wide forum for everybody to see and yack about is not a good idea. There's no law against it. B0b is obviously not gonna shut this down, nor have I suggested he should. But I think it leads nowhere good. And that is my 'politically incorrect' view
Funny how 'political correctness' depends on the lens of the one whose ox is being gored.
But I just think that calling out something personal like this about a fellow musician and pedal steel player on an open, world-wide forum for everybody to see and yack about is not a good idea. There's no law against it. B0b is obviously not gonna shut this down, nor have I suggested he should. But I think it leads nowhere good. And that is my 'politically incorrect' view
Funny how 'political correctness' depends on the lens of the one whose ox is being gored.
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Brian Henry
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My personal thoughts on this thread...
I saw her perform in Dallas this past March. She did a good show. I've seen Ray Charles perform live, and also Stevie Wonder. When someone is in touch with their music and their guitar and is so involved with singing the song through their instrument that their emotions take over the physical countenance, I don't see that as an affectation. I see it as honest expression. Unless it's part of a stage show that gets repeated each time the song is performed, of course. Since we don't know what's in Sarah's heart when she's playing, I'm giving her the benefit of doubt. To me her actions seem genuine.
Sarah is a great player who's accomplished more professionally than the vast majority of steel players of either gender. Feel what you want, but cutting her some slack here is the civilized thing to do. You always can go to Twitter, after all.
I saw her perform in Dallas this past March. She did a good show. I've seen Ray Charles perform live, and also Stevie Wonder. When someone is in touch with their music and their guitar and is so involved with singing the song through their instrument that their emotions take over the physical countenance, I don't see that as an affectation. I see it as honest expression. Unless it's part of a stage show that gets repeated each time the song is performed, of course. Since we don't know what's in Sarah's heart when she's playing, I'm giving her the benefit of doubt. To me her actions seem genuine.
Sarah is a great player who's accomplished more professionally than the vast majority of steel players of either gender. Feel what you want, but cutting her some slack here is the civilized thing to do. You always can go to Twitter, after all.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Jerry Berger
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Charlie McDonald
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In Georg's picture, she looks to me like she's digging it the most.
There's a difference between emotion and emoting, like some figure skaters do, but isn't the emotion of creating the music.
Is it done to supplant lack in the music, asking the listener to use their imagination to bridge the gap to what she meant?
Is it only entertainment? Well, if you're going to change a string without missing a beat, it better be entertaining.
It's just what she does. I find her amazing. Maybe the act, if there is one, is what keeps my interest, lagnappe beyond the music.
There's a difference between emotion and emoting, like some figure skaters do, but isn't the emotion of creating the music.
Is it done to supplant lack in the music, asking the listener to use their imagination to bridge the gap to what she meant?
Is it only entertainment? Well, if you're going to change a string without missing a beat, it better be entertaining.
It's just what she does. I find her amazing. Maybe the act, if there is one, is what keeps my interest, lagnappe beyond the music.
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